The first film of my choice is The Darjeeling Limited directed by Wes
Anderson with
an amazing sequence starting from a blackout continued by very slow full
rotation showing closeup of the main characters of the movie and then – snap –
we’re in the train. The sequence shows
now a section through the train with camera moving slowly along the carriages
allowing us to observe all the characters from the film. The notion of being on
the train clashes with the spaces showed. Some of them seem more like a hotel
room or a plane. Each carriage is very different , each one reflects the
character of the person who’s in it. The only thing that doesn’t change is the
landscape visible through the window and the frame created by the carriage. The
whole spacial sequence is very deliberate and well executed. The scene ends with a blacout
just as it started.
The second
one is Le Fabuleux destin d'Amélie
Poulain directed by Jean-Pierre Jeunet. This scene is very short but very
intense. Jump cuts show a sequence of the main character Amélie taking the
blind man across the street telling him in a very brief but descriptive way
about the details of the Parisian street before she leaves him speechless and
amused on the other side. The ephemeral moments she captures and the obvious
things you might take for granted are described in a very vivid way. Closing
your eyes you can almost hear and see the busy street with children laughing, people
haggling at the street market and smell the scent of melon slices. She’s
creating a view for us, framing little scenes in a dazzling sequence. Truly
a visual feast. Watch.
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